Who are you, really? |
Since the fifteenth century and the advent of the
mirror artists have modeled for themselves in their own works of art. Whether an in-depth exploration of the
artist’s own psyche or simply because as a model, the artist is clearly the
cheapest and most available, artists in every medium have attempted this “exploration
of self”. Look at the many different
kinds of self-portraits and attempt to understand why people create these works
and how both they and the viewer benefit from them.
Will the real Cindy Sherman
please stand up?
Start by watching the Cindy Sherman piece (link is to the right...). Sherman is an American photographer and
film director best known for her conceptual portraits. Through different series of works
Sherman has sought to raise challenging and important questions about the role
and representation of women in society, the media, and the nature of the
creation of art.
For
this project, you will need to complete the following.
Brainstorm (25 pts)
1.
Create two self-portrait concepts: one that will be a portrait showing
yourself, and one that invents a new character. Summarize them. Create and
write 10 “visual” phrases (descriptive – a phrase we can “see”) for each idea
that will help you to create your portraits.
Create one “Contact Sheets” (50 pts)
2.
(An older term in photography referring to 20 images or “out takes” on a
single 8.5 x 11” sheet of photographic paper.) Make a contact sheets with 20 images, 10 images that
describe yourself and 10 images that are the “story” of your created
character. Be prepared to discuss the character.
Final (500 pts)
3. Select the best image for each - one that is you and one that is the
character. Create a layout in Photoshop placing both images are on a single
page and save in the appropriate size.
Label your images with your initials, the block and the name of the assignment
(ex: MAK5Explorationofself.jpg)
Things to consider when working on your captures:
Quality
Is
the image in focus, thoughtfully lit, and finished looking?
Does
the work show pride in execution?
Is
there an understanding of the camera used (or are these simply “snap shots”)?
Is it treated as an art piece?
Composition
Is
the image well composed, balanced, all aspects in the image intended to be
there?
Does
it invite the viewer to “linger”?
Is
it cluttered, bare, and composed with the purpose of the concept in mind??
Accuracy
Did
you follow instructions?
Was
it turned in on time?
Did you meet the proper expectations of shots?
Due Dates: Brainstorm due March 11
Contact Sheet due March 17
Final Images due March 21
Due Dates: Brainstorm due March 11
Contact Sheet due March 17
Final Images due March 21